Ingeborg Børch - Mezzo Soprano
The most persuasive
Fricka I think
I've seen
- The Spectator
Along with the Danish mezzo soprano Ingeborg Børch came more maturity and a more nuanced expression with her interpretation of the two characteristic roles from "Nibelungens Ring”, at the 1st Norne and Fricka”
- JC klassisk
"Ingeborg Novrup Børch is a multifaceted Fricka who is strong enough to hold Wotan to account, but also genuinely frightened she could lose her sister. At the same time, one senses that any expressions of affection she does show towards the chief god are not solely with the intention of persuading or manipulating him. It is clear she does ultimately love her husband, and recognises they are a team"
MusicOMH.com
"The other voice of real polish belongs to IngeborgBørch, having fun with the prophetic Omniscient Mussel who tells Aithra what’s going on elsewhere – part sea-sibyl, part radio broadcaster"
- David Nice TheArtsDesk.com
"Ingeborg Børch gave the Omniscient Mussel a strong sense of humour, yet sang her interruptions with rich, dark tones which rather suggested the way Erda tends to interrupt things in Wagner's Ring Cycle"
-Opera Today
"Ingeborg Børch brought welcome contrast of tone as the Mussel, yet similar clarity of words"
Mark Berry - Seen and Heard International
As Laura, Alvise's wife but in love with Enzo, the young Ingeborg Børch poured out golden mezzo-tones”
http://seenandheard-international.com15/08 - 2015.
Ingeborg Børch gets the most out of the smaller role as the assassin's sister. It is definitely a strength of the production that even these two, who are mostly portrayed as villains, have human traits."
- Review of Verdi's Rigoletto at Opera Hedeland by sn.dk August 2021
Ingeborg Børch's beautiful mezzo nestles soothingly around the notes - Review of Verdi's Rigoletto at Opera Hedeland
iscene.dk
"With a combination of rawness and professionalism, the cast create a version of Piazzola's miniopera, which keeps the audience in a well-functioning embrace until the happy end. Ingeborg Børch is perfectly cast as Maria. Despite the role of total eversion, she takes the leap - and wins everyone over.
- Thomas Michelsen, Politiken October 2011 (Maria de Buenos Aires, Fynske Opera)
"Ingeborg Børch took the lead in an otherwise uneven setup of the Piazzolla opera Maria de Buenos Aires”
- Jyllandsposten / The Jutland Post
“The supporting roles in the cosmopolitan ensemble - the experienced and precise Ingeborg Børch, the two assistant tenors Marcus Birgersson and Henrik Lagercrantz, together with the bass Dmitriy Li - fell well into the overall delivery of the show”.
- Sydsvenskan 08/12 - 2015
Hänsel und Gretel - Copenhagen opera festival 2016
Carmen - Guidopera - 2013
Ich bin von Kopf bis Fuß
Kopenhagen Kabarett - literaturhaus 2015
Mein Herr - Kopenhagen KabaretT , Literaturhaus 2015
SUZUKI - Royal DANISH OPERA TOUR (2012-13)
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Emilia - Otello, Verdi. Operafabriken 2016
Mércédès - Opera Hedeland 2019